A24 Movies 2025-2026: Release Dates and Cast Details

Is A24 trying to own the next two years of movies, or are we all just stuck in a very stylish fever dream?
Either way, they’ve got 21 films lined up for 2026, nine with firm dates and a dozen still TBD.
From Charli XCX’s mockumentary in January to Olivia Wilde’s relationship comedy in June, the slate mixes horror, fashion docs, rom-coms, and weird genre stuff.
Big headlines: The Drama with Robert Pattinson and Zendaya, The Backrooms, and Mother Mary, which even has three different release dates floating around.
This post breaks down every confirmed A24 release for 2025-2026, key cast details, and what to watch next.

Full Breakdown of Confirmed Upcoming A24 Movies Releasing in 2026

A24’s got 21 films lined up for 2026. Nine of them have actual dates locked in, while the other twelve are still floating in TBD territory. Things kick off in January with a Charli XCX mockumentary and close out the first half in late June with an Olivia Wilde relationship comedy. The biggest noise is around “The Drama” (Robert Pattinson and Zendaya dealing with a wedding week falling apart), “The Backrooms” (horror based on Kane Parsons’ viral YouTube series), and “The Invite” (a couples-swap comedy picked up at Sundance). You’re looking at mockumentary, horror, documentary, romantic drama, and some genre stuff that refuses to fit a clean label.

The calendar runs pretty steady from late January through June, but there’s one date situation that’s a mess. “Mother Mary” shows up with three different release dates depending on where you look: April 17, April 24, and April 27. Nobody seems clear on whether it’s doing a limited release first or if one of those dates just overwrites the others. Everything else is set and ready to go.

Each confirmed release pairs directors you’ve heard of with casts that’ll get people talking. Sofia Coppola’s back with a fashion doc, Kristoffer Borgli’s working with Ari Aster producing again, and Michael Sarnoski’s directing Hugh Jackman in a Robin Hood movie that doesn’t sound like any Robin Hood you’ve seen before. It starts quiet with character-focused stuff in the first few months, then builds into bigger genre swings by summer.

• The Moment (January 30, 2026) — Charli XCX plays herself putting together her first headlining tour.
• Pillion (February 6, 2026) — A queer biker romance with Alexander Skarsgård and Harry Melling, adapted from Box Hill.
• How to Make a Killing (February 20, 2026) — Glen Powell’s a disowned heir plotting to kill his cousins for the inheritance.
• Undertone (March 13, 2026) — Nina Kiri plays a podcaster getting terrorized by paranormal audio sent to her show. One actor on screen, everyone else is just voices.
• Marc by Sofia (March 27, 2026) — Sofia Coppola’s documentary on Marc Jacobs, fresh from Venice.
• The Drama (April 3, 2026) — Robert Pattinson and Zendaya’s engagement week goes sideways fast.
• Mother Mary (April 17 / 24 / 27, 2026) — Anne Hathaway and Michaela Coel reunite as pop star and costume designer before a comeback tour. The date’s anyone’s guess.
• The Backrooms (May 29, 2026) — Chiwetel Ejiofor finds a weird doorway in a furniture showroom basement. It’s based on Kane Parsons’ creepypasta shorts.
• The Death of Robin Hood (June 19, 2026) — Hugh Jackman’s Robin Hood is old, tired, and reckoning with all the violence.
• The Invite (June 26, 2026) — Olivia Wilde and Seth Rogen play a married couple who get invited to swing with the neighbors. Remake of a Spanish film called The People Upstairs.

Deep Dive Into Early-Year A24 Releases (January–March Titles)

“The Moment” opens January 30 with Charli XCX playing a version of herself prepping for the “Brat” tour. Director Aidan Zamiri’s structuring it as a mockumentary, working from an idea XCX developed. The supporting cast is a pop culture grab bag: Rosanna Arquette, Kate Berlant, Alexander Skarsgård, Kylie Jenner, Rish Shah, Rachel Sennott. It’s music-industry satire filtered through A24’s particular taste for offbeat celebrity stuff.

“Pillion” shows up February 6 as a romantic black comedy pulled from the novel Box Hill. Alexander Skarsgård’s Ray, a biker in some unconventional relationship who catches the eye of a shy younger guy played by Harry Melton. Queer romance meets counterculture aesthetics, positioned as something different from the usual romantic fare.

Glen Powell’s leading “How to Make a Killing” on February 20. He plays Becket Redfellow, a disowned rich kid who decides the cousins blocking his inheritance need to go. Director John Patton Ford’s following up “Emily the Criminal” with another morally murky thriller, but darker and funnier this time. Margaret Qualley, Jessica Henwick, Bill Camp, Zach Woods, and Topher Grace fill out the cast.

“Undertone” shifts hard into horror March 13 with Nina Kiri as Evy, a podcaster who starts getting terrifying paranormal recordings from listeners. The whole thing uses one on-screen actor. Everyone else exists only as voices, turning it into this claustrophobic sound design experiment. Sofia Coppola wraps the quarter March 27 with “Marc by Sofia,” her documentary on Marc Jacobs that premiered at Venice 2025 before hitting general release.

• The Moment — Mockumentary featuring Charli XCX, Alexander Skarsgård, Kylie Jenner
• Pillion — Queer romance with Alexander Skarsgård, Harry Melton
• How to Make a Killing — Dark comedy thriller starring Glen Powell, Margaret Qualley, Jessica Henwick
• Undertone — Single-actor horror with Nina Kiri
• Marc by Sofia — Fashion documentary on Marc Jacobs from Sofia Coppola

Spotlight on A24’s Spring Lineup and High-Profile April Releases

“The Drama” opens April 3 with Robert Pattinson and Zendaya as a couple whose engagement collapses during their wedding week. Director Kristoffer Borgli’s working with producer Ari Aster on a relationship thriller about how fast trust can fall apart under pressure. Supporting cast includes Zoë Winters, Alana Haim, and Mamoudou Athie. This is one of three Pattinson–Zendaya collaborations coming in 2026, so people are already building expectations around their chemistry.

“Mother Mary” comes later in April, though the exact date is a confusing mess. Headers show April 17 and April 24. The article body claims a limited release April 27 before going wide April 24, which makes zero chronological sense. Director David Lowery’s behind it, with Anne Hathaway playing an iconic pop star and Michaela Coel as Sam Anselm, her estranged best friend and former costume designer. They reunite right before a big comeback show, which brings up all kinds of drama from their shared past.

Jack Antonoff and Charli XCX are doing original music for it, tying the soundtrack directly into the pop-industry setting. Hunter Schafer, Sian Clifford, FKA Twigs, and Kaia Gerber round out the supporting roles. It’s a cast packed with people who move between fashion, music, and film. Date confusion aside, “Mother Mary” is clearly positioned as one of A24’s major spring releases, blending music-world aesthetics with Lowery’s visual style.

1. “Mother Mary” release dates are all over the place: April 17, 24, and 27 all show up depending on the source. Somebody needs to clarify.
2. Jack Antonoff and Charli XCX are contributing original songs, making the soundtrack part of the narrative instead of just background.
3. Robert Pattinson and Zendaya headline “The Drama,” their first of three collaborations dropping in 2026.

Horror, Adventure, and Genre-Bending A24 Films Arriving Summer 2026

“The Backrooms” lands May 29 as a horror adaptation of Kane Parsons’ viral short films and the creepypasta concept that blew up online. Parsons, who also goes by Kane Pixels, is directing the feature. It centers on a strange doorway that shows up in a furniture showroom basement. Chiwetel Ejiofor, Renate Reinsve, Avan Jogia, Mark Duplass, Lukita Maxwell, and Finn Bennett are in it, but plot details are pretty locked down. The film’s tapping into internet horror culture and taking Parsons’ YouTube universe to theaters.

Hugh Jackman stars in “The Death of Robin Hood” June 19, playing an aged version of the outlaw who’s dealing with the violence that defined his whole life. Director Michael Sarnoski’s reimagining the Robin Hood myth as something more about legacy and mortality than adventure. Bill Skarsgård’s Little John, with Jodie Comer, Murray Bartlett, and Noah Jupe rounding things out. It’s positioned as prestige genre work instead of a straightforward action retelling.

“The Invite” closes out June on the 26th. Olivia Wilde’s directing and starring opposite Seth Rogen, Penélope Cruz, and Edward Norton. The film remakes the Spanish comedy “The People Upstairs,” following a couple who get invited to swing with their neighbors during a rough patch in their marriage. A24 grabbed it as one of their big Sundance pickups, betting on Wilde’s third directorial effort and a premise that mixes relationship comedy with awkward social dynamics.

All Remaining Upcoming A24 Movies With TBD Release Dates

Twelve more A24 films are scheduled for 2026 without confirmed dates. The group spans horror, action, documentary, romantic comedy, and biographical drama. Directors range from established names like Ruben Östlund and Chris Rock to rising voices like Lance Oppenheim and Matt Johnson. Stars include Austin Butler, Jeremy Allen White, Zac Efron, Adam Driver, Dan Stevens, and Robert Pattinson in a second 2026 role.

“Enemies” pairs Jeremy Allen White and Austin Butler as a detective and contract killer locked in some deadly game, though it’s not totally clear who’s playing which role. “Nuisance Bear” expands a 2021 short film into a full documentary about Churchill, Manitoba, the polar bear capital of the world. It premiered at Sundance. “Famous” gives Zac Efron a dual role: movie star James Jansen and his lookalike loser Lance Dunkquist. Phoebe Dynevor, Nicholas Braun, and Bill Pullman are supporting. Chris Rock directs “Misty Green,” starring Rosalind Eleazar as an actor reconnecting with someone from her past. Adam Driver, Daniel Kaluuya, Anna Kendrick, and Topher Grace are also in it.

Horror and genre people have Jeremy Saulnier’s “October” and Adam Wingard’s “Onslaught” to look forward to. “October” stars Cory Michael Smith, Chase Sui Wonders, Sophie Wilde, Young Mazino, and Stephen Root in a horror-action hybrid coming after Saulnier’s “Rebel Ridge.” “Onslaught” reunites Wingard with Dan Stevens and Rebecca Hall. Adria Arjona, Drew Starkey, Michael Biehn, and Alex Pereira join them in a story about something escaping a secret military base while a mother tries to protect her family and mercenaries try to contain it.

Biographical and character-driven stuff fills out the rest. “Tony” stars Dominic Sessa as young Anthony Bourdain, with Antonio Banderas, Emilia Jones, Leo Woodall, and Stavros Halkias. Matt Johnson’s directing. “Primetime” features Robert Pattinson as a TV journalist inspired by Chris Hansen. It’s directed by documentary filmmaker Lance Oppenheim in his narrative debut, with Phoebe Bridgers, Merritt Wever, Sean Bridgers, Skyler Gisondo, and Matthew Maher. Ruben Östlund’s “The Entertainment System Is Down” imagines what happens when in-flight entertainment fails on a long-haul flight. Keanu Reeves, Kirsten Dunst, Daniel Brühl, Samantha Morton, Nicholas Braun, Tobias Menzies, and Connor Swindells star. Östlund hasn’t decided whether to premiere it at Cannes 2026 or 2027 yet. Jesse Eisenberg directs an untitled musical comedy starring Julianne Moore as a shy woman unexpectedly cast in a local original musical. Paul Giamatti, Halle Bailey, Havana Rose Liu, Bernadette Peters, Bonnie Milligan, and Lilli Cooper are in it. David Michôd’s “Wizards!” follows two stoners who find stolen loot they should’ve left alone. Pete Davidson, Franz Rogowski, Naomi Scott, Sean Harris, and Orlando Bloom star.

• Enemies — Austin Butler and Jeremy Allen White as detective and contract killer in deadly cat-and-mouse game
• Nuisance Bear — Documentary on Churchill, Manitoba polar bears, expanded from 2021 short, premiered at Sundance
• Famous — Zac Efron in dual role as movie star and lookalike loser exploiting their resemblance
• Misty Green — Chris Rock directs Rosalind Eleazar, Adam Driver, Daniel Kaluuya in reconnection drama
• October — Jeremy Saulnier horror-action film starring Cory Michael Smith, Chase Sui Wonders, Sophie Wilde
• Onslaught — Adam Wingard teams Dan Stevens, Adria Arjona, Rebecca Hall in secret-base threat thriller
• Tony — Dominic Sessa as young Anthony Bourdain in Matt Johnson-directed biopic
• Primetime — Robert Pattinson as Chris Hansen-inspired TV journalist in Lance Oppenheim’s narrative debut

Festival Premieres, Special Acquisitions, and A24’s Release Strategy

A24 uses film festivals as launchpads for buzz and credibility. They premiere stuff at Venice, Sundance, and Cannes before rolling it out theatrically. “Marc by Sofia” debuted at the 2025 Venice Film Festival ahead of its March 27, 2026 general release, giving the doc early critical attention and press coverage. “Nuisance Bear” premiered at Sundance in January, expanding from a 2021 short into a feature-length documentary on polar bears in Churchill, Manitoba. “The Invite” was acquired at Sundance as one of A24’s major pickups, banking on Olivia Wilde’s directing track record and a buzzy premise.

The festival circuit also shapes when things get released. Ruben Östlund’s “The Entertainment System Is Down” is still in limbo as the two-time Palme d’Or winner decides between a Cannes 2026 or 2027 premiere, which will push the theatrical release accordingly. A24 often holds films for the right festival moment, prioritizing cultural impact over just getting things out fast.

Sundance Titles

Sundance is A24’s primary spot for acquisitions and indie premieres. “Nuisance Bear” and “The Invite” both premiered there, with the latter acquired during the festival marketplace. The studio’s Sundance strategy balances in-house productions with smart pickups, letting them fill gaps in their slate with proven festival hits.

Cannes and International Festival Plans

Cannes and Venice give A24 a prestige platform for auteur-driven work. “Marc by Sofia” premiered at Venice 2025, while Ruben Östlund’s long-haul flight comedy is still in consideration for Cannes. These festivals raise A24’s profile internationally and set their films up for awards consideration before domestic release.

A24’s Acquisition and Distribution Approach

A24 mixes in-house production with festival acquisitions to build out a diverse slate. They buy finished films that fit their brand and fill genre or tonal gaps. “The Invite” shows how this works: purchased at Sundance with a recognizable director and a high-concept premise that’s easy to market. The strategy keeps A24 nimble, letting them react to festival breakouts instead of relying only on development pipelines.

Creative Trends and Industry Impact of Upcoming A24 Movies

A24’s 2026 slate shows their commitment to genre mixing and auteur-driven storytelling. The lineup includes horror, action, romantic drama, mockumentary, documentary, musical comedy, and video game adaptations. They’re not settling into a single creative lane. Directors like Ruben Östlund, Sofia Coppola, David Lowery, Kristoffer Borgli, and Adam Wingard bring distinct visual and narrative identities, while stars like Hugh Jackman, Zendaya, Anne Hathaway, Zac Efron, and Robert Pattinson anchor the bigger projects.

The studio’s also embracing cross-media adaptations. They’re pulling from YouTube horror (Kane Parsons’ “The Backrooms”), novels (“Pillion,” “Famous”), and Spanish cinema (“The Invite”). This taps into existing fan bases while letting A24 apply its own aesthetic and marketing lens. The result is a slate that feels culturally current without chasing trends.

Festival-first strategy continues to define A24’s release model. Premieres at Venice, Sundance, and Cannes generate early critical conversation and awards buzz, setting films up for longer theatrical runs and cultural relevance. “Marc by Sofia” premiered at Venice before its general release. Ruben Östlund’s weighing Cannes timing for his next film. This model reinforces A24’s reputation as a prestige brand that values artistic credibility as much as box office.

1. Genre mixing — The slate combines horror, documentary, musical comedy, action, and biographical drama without committing to one dominant genre.
2. Star-driven storytelling — A24 pairs auteur directors with major actors, balancing creative vision with marquee appeal.
3. Festival-first strategy — Venice, Sundance, and Cannes premieres build credibility and cultural momentum before theatrical release.
4. Cross-media adaptations — Films pull from YouTube series, novels, and international cinema, expanding A24’s creative sources beyond original scripts.

Final Words

A24 is rolling out 21 confirmed films in 2026, nine with set dates – from The Moment (Jan 30) through The Invite (Jun 26). Big names and wild genres fill the calendar.

You’ve got early-year mockumentary and queer romance, April’s high-profile pair (The Drama and Mother Mary), and a summer split between horror and blockbuster-style adventures, plus a dozen TBD projects from major directors and stars.

If you’re tracking upcoming a24 movies, watch for Mother Mary’s shifting dates and festival premieres that could reshuffle the slate. It’s a stacked year – and one to get excited about.

FAQ

Q: What are the next A24 movies?

A: The next A24 movies are its early 2026 slate: The Moment (Jan 30), Pillion (Feb 6), How to Make a Killing (Feb 20), Undertone (Mar 13), Marc by Sofia (Mar 27), and The Drama (Apr 3).

Q: How many A24 movies are coming out in 2026?

A: The number of A24 movies coming out in 2026 is 21 listed titles, with nine currently assigned theatrical release dates and the remainder either undated or festival-acquired.

Q: What is the new A24 horror movie 2026?

A: The new A24 horror movie in 2026 is The Backrooms, scheduled for May 29 — a feature adaptation of Kane Parsons’ viral short; Undertone (Mar 13) is another early single-actor horror entry.

Q: What is A24’s highest grossing film?

A: A24’s highest grossing film is Everything Everywhere All at Once, which earned roughly $140 million worldwide and became the studio’s biggest commercial and awards breakthrough.